Washington Life Magazine
Washington Life Magazine

Pollywood WL EXCLUSIVE

Hope for Home
We guarantee Eric and Sharapat Kessler never had a house party like this before –
R.E.M’s Mike Mills entertained and 150 guests raised $20,000 for New Orleans
musical legend Al “Carnival Time” Johnson. Mills tell us how he got involved

I visited New Orleans 15 months after Hurricane Katrina and was deeply affected by what I saw. It looked like a nuclear bomb had gone off. There’s nothing like seeing that kind of destruction fi rsthand. When there’s a pickup truck in a tree, you know it’s big. It was very apparent to me that the response was extremely disorganized at the Federal level. The fact that so many residents of New Orleans were still struggling after the disaster was shameful. There was a strong sense that if something good was going to happen, they’d have to do it themselves. Among the citizens deeply affected by Katrina were New Orleans musicians, who in many cases saw their communities completely destroyed. I can’t think of another city in the world that’s so identifi ed with music as New Orleans. America needs a cultural heart as much as an economic one, and the importance of helping these people transcends geography. Unfortunately, many of the city’s musicians were still in desperate need of assistance. Mike Mills, bassist and co-songwriter for the band R.E.M, and Kevin Cordt groove to raise money for displaced New Orleans musicians. (Event photos by Vicky Pombo)

In the midst of the turmoil, I witnessed musicians helping other musicians. Pro-artist groups such as Sweet Home New Orleans, Arabi Wrecking Krewe, the New Orleans Musicians Relief Fund and Future of Music Coalition all worked to ensure that the city’s musicians could return to their homes and communities. And the efforts continue. The December
“Hope for Home” party to benefit Al “Carnival Time” Johnson took place at the home of Eric and Sharapat Kessler, and was co-organized by Michael Petricone, Sweet Home New Orleans and Future of Music Coalition. It was my pleasure to perform not just in a solo set, but also backing up a true New Orleans music legend, Al Johnson. It’s always a humbling experience to sit in with people who have been playing music for longer than I’ve been alive. Such moments help me rediscover my innate love of music. It also felt really good to see the people in D.C. respond so positively, and I had a great time. There’s still a lot to be done to put the city back together. Donations are always appreciated, but residents — particularly older individuals — still need volunteers to go down to help clear debris from their houses. It’s incredibly important that we never forget New Orleans, its spirit and what it means to American culture. For more information go to www.futureofmusic. org and www.sweethomeneworleans.org

 



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